Unheard Memories - Original
Unheard Memories - Original
Description and Dimensions
Description and Dimensions
- Original, Charcoal on Paper
- Signed Josie Appleby
- Image, 52.0 x 71.0cm approximately
- Framed, 64.0 x 83.0cm approximately
This original painting by Josie Appleby is framed in a 6.5cm wide slipped frame and supplied with a certificate of authenticity. It is glazed with speciality ARTglass designed to increase clarity and reduce reflection.
WHAT IS HAND FINISHED FRAMING?
Hand finished frames give a unique character to an original painting as an almost infinite combination of profiles, finishes and colours are possible.
Standard framing involves cutting and joining pre-finished mouldings to make the frame.
Hand finished framing requires a skilled craftsman who will first select a suitable frame profile which is cut and joined to make a bare wood frame. The frame is then finished using a combination of traditional and contemporary techniques and materials. Depending on the finish chosen a frame may take many days to complete as component layers are built up to achieve the desired result.
The result is a completely bespoke frame made to uniquely complement the original painting. To this end, no two hand finished frames are ever exactly the same.
WHAT IS ARTGLASS?
Standard picture framing glass is called float glass. This glass is used by the majority of picture framers and is perfectly acceptable for use when framing most limited edition prints but it does cause reflection and impurities in the glass cause the framed image to appear duller than intended.
To overcome these compromises we fit Josie's original drawings with ARTglass which is designed to reduce reflection and improve clarity.
Unlike 'non-reflective' glass which is etched to reduce reflection but has a cloudy appearance as a result, ARTglass is coated with a high-tech film, reducing reflection whilst adding clarity.
The example shown here is an actual scan of a print framed with ARTglass in the left half of the frame and standard glass in the right half. This scan has not been altered or enhanced in any way and clearly shows how ARTglass improves the clarity and vibrancy of the image. From certain viewing angles it appears that the glass is invisible.
Born in London in 1991, Josie Appleby was educated at Watford Grammar School for Girls and later attended ‘Instituto Marangoni’ - one of the most credible fashion schools in Europe. She was offered an internship at British luxury Fashion House, Alexander McQueen, after just her first year of a graduate degree. Growing up, she found solace in the care and company of horses, and in refining her craft creating portraits and commissions, which were greatly received by the equestrian community.
“Horses have not only inspired me but have taught me so many lessons that cross over into my art. The sensitivity, confidence, skill, patience, and passion are all things that I have learnt from the horses and in turn are reflected into my art. Whilst studying for my equine sports science degree I had to dissect, draw and learn about every part of these amazing animals. So when the emotional and scientific lessons I had learnt merged, horses naturally became effortless to paint.”
Josie’s deep understanding and knowledge of the subject and her profound passion and flair for art and design is clear to see in her wonderfully atmospheric paintings. Her paintings are layered with beautiful sentimentality, and capture her adoration for the subject in a contrast of vulnerability and strength.
Art is the highest form of hope’ - Gerhard Richter
Josie says “My journey as an artist has brought me closer to understanding this quote. I paint for so many reasons that are close to my heart. Like many artists before me, my life experiences have created the person I am, which undoubtedly has had a huge effect on my art. My style has changed and developed in order for me to express myself more freely, but as I have grown my whole approach and philosophy as an artist has been shaped by the people and animals in my life. In moments of despair, love, frustration and happiness there is always lurking somewhere a glimpse of hope. This is what I try to convey into my paintings, something unexplainable that inspires your imagination. For me this is captured in moments of inspiration when your conscious and sub conscious work in perfect harmony. Art to me is a permanent reminder of hope.
The impressionist painters are my biggest influence predominantly Edgar Degas, Claude Monet, Paul Cezanne , Van Gogh and the teachings of Harold speed. I am inspired by their original techniques and philosophies about expression. I try in my paintings to capture movement as they did with bold marks using thick paint to create different depths of texture with multiple layers. By keeping my colours as vibrant as possible like many of the impressionists I lay each colour as a separate shape next to each other or on top of each other. The merging of traditional art and contemporary art is a balance I dance between in every painting.”
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