Sculpture, Original Works of Art & Limited Edition Prints 

Coming to Jackson

by Jennifer Brereton

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Limited to 295 fine art limited edition prints + 30 artist proofs, 'Coming to Jackson' is available either mounted or mounted and framed. We also offer the framed print glazed with a high quality reduced reflection glass called ARTglass. Please select the format you require using the drop down list above.

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The Benefits of ARTglass

Printed on 260gsm fine art paper, each print is individually signed and numbered by Jennifer and supplied with a certificate of authenticity.

Mounted with an off-white double mount and supplied acetate wrapped.>

The framed print is mounted as described and then framed in a 6.5cm wide bronze and warm silver moulding. Supplied strung and ready to hang.

Standard picture framing glass is called float glass. This glass is used by the majority of picture framers and is perfectly acceptable for use when framing most limited edition prints but it does cause reflection and impurities in the glass cause the framed image to appear duller than intended.

To overcome these compromises we offer all our limited editions with the option of been fitted with a speciality glass called ARTglass designed to reduce reflection and improve clarity.
Unlike 'non-reflective' glass which is etched to reduce reflection but has a cloudy appearance as a result, ARTglass is coated with a high-tech film, reducing reflection whilst adding clarity.
The example shown here is an actual scan of a print framed with ARTglass in the left half of the frame and standard glass in the right half. This image has not been altered or enhanced in any way and clearly shows how ARTglass improves the clarity and vibrancy of the print. From certain viewing angles it appears that the glass is invisible.


All dimensions are Height x Width and are approximate.

  Image Size Finished Size
Mounted Print 89.0 x 44.5cm 110.1 x 64.1cm
Framed Print   123.1 x 77.1cm



Using her observational skills and bold, atmospheric drawing to bring attention to her subjects' identity, Jennifer Brereton works mainly in pencil as well as charcoal and conte crayon. A farming childhood gave Jennifer insight into animal behaviour; details that are very much appreciated by highly critical customers who handle stock.

A retired dairy farmers comment of, 'I've seen that every day but I've never noticed it before', when purchasing a print of cows eating under an electric fence, sums up what Brereton hopes to achieve in her drawings.

Jennifer Brereton, who trained in fine art, started selling her work in 1992 and, now, both sales of limited edition prints and original drawings extend worldwide. In 2000 Jennifer was invited to exhibit at both World Dairy Expo in Madison and the Royal Winter Fair in Toronto. Many of her images are now sold out. Original drawings sell quickly and attract high prices.


See all works by: Jennifer Brereton
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