How Do We Frame Our Original Paintings & Art Prints?
At Collier & Dobson we publish and distribute Fine Art prints and Original Paintings and Drawings. An obsession with excellent colour reproduction has earned us a strong reputation for quality printing, and is appreciated by both our artists and our customers.
We also mount, frame and glaze these pieces to bespoke standards, in-house, at our workshops in Fordingbridge to ensure the highest levels of quality control and customer satisfaction.
What we frame the artwork in is determined by the piece itself. The moulding, colour and finish is carefully selected by the team to complement the look and feel of the artwork.
The printed media also plays a part in influencing the framing process.
For example, canvas prints are either stretched onto bars or bonded to board prior to being framed. Canvas prints are also unglazed (framed without glass) - a topic which we will look at in more detail in a future article.
Before framing, paper prints are either bonded to board, or mounted with bespoke mounts cut using our state of the art equipment. Mounting a print or painting creates space between the image and the frame, making the piece itself the focal point - this is particularly effective with smaller pieces.
Paper or canvas prints which have been bonded to board will be ‘close-framed’. This means that the piece is framed right to the edge of the image itself, with no border. This creates a striking and dramatic effect - ideal for larger pieces.
Once mounted or bonded to board, our limited edition prints are framed using high quality pre-finished mouldings, which we source from a small selection of trusted suppliers.
These pre-finished lengths of moulding are individually measured and cut against each piece, then skillfully assembled by hand, by our accomplished in-house framers, using a range of professional framing tools and equipment.
Higher value items, like large scale artist's proof canvases and original paintings will usually be completed with a hand finished frame.
With an almost infinite combination of possible profiles, finishes and colours - and requiring a skilled hand to achieve - hand finished framing gives a unique character to a print or original painting.
Our skilled framers will first select a suitable frame profile, which is cut and joined to make a bare wood frame. This frame is then finished using a combination of traditional and contemporary techniques and materials. Depending on the finish chosen a frame may take many days to complete as component layers are built up to achieve the desired result.
The result is a completely bespoke frame made to uniquely complement the print or original painting. To this end, no two hand finished frames are ever exactly the same.
Canvas prints - and originals - which have been stretched onto bars are framed using what is known as a tray frame. The artwork sits inside a tray frame with a small gap between the edge of the canvas and the frame. The front of the frame is level with the surface of the print or original rather than the frame covering the front edge of the print as is more typical. This allows the frame to provide a border for the image without encroaching or dominating it.